Name of film: Goodfellas
Have: Goodfellas video
Duration: two min, 18 seconds
Groups: MES, editing, cinematography, camera movement, sound Main Character types in have:
Holly Hill (Ray Liotta)
Karen Hillside (Lorraine Bracco)
Key to abbreviations used:
YOU DO NOT NEED : = Henry Hill
KH = Karen Hill
And = Neighbors
Shot break down:
Cut coming from last decide to use this take
Shot 1 .
1 . MES: Have starts with a phone sales space in the foreground and at the best half of the display screen, at a place that would seem to be street-side. It looks a sun-drenched day mid-afternoon. Behind the device booth is a wooden wall that appears to follow the edge of the road, extending back and to the left, besides that there would not seem to be much use of the away screen space in this shot. To the correct and within the fence is actually a large woods or wooded area with green shrubbery. KH is inside phone booth, wearing a pink pant suit, keeping her brain in her hand, clearly distraught. You will see a bluish vehicle shown off the a glass of the mobile phone booth, and also you see the reflection of a yellow-colored convertible mainly because it pulls up next to the phone presentation area. The camera pans still left just as the yellow car comes to a screeching take a look at the street part location that truly appears to be a parking lot, with several other automobiles parked along the perimeter. YOU DO NOT NEED : wearing a reddish colored brown snakeskin jacket, black shirt and reddish dark brown dress trousers urgently gets out of the car, takes the cigarette he was smoking, tosses it towards the ground, and walks towards the phone sales space and KH. The camera mimics his actions and pans for the right to involve the phone sales space. KH is usually crying while she taking walks out of the phone booth towards the center with the take and towards the discolored car. The camera pots and pans to the left and follows her movements. YOU DO NOT NEED : asks her what happened and places a comforting side on her glenohumeral joint as he escorts her to the passenger side of the car. KH points out what the lady was raise red flags to about. HH opens the passenger door and KH begins to get into the vehicle. This can be a end from the first taken. This take ends in a cut.
installment payments on your Editing: This kind of shot can be described as cut to another shot. This next shot is a match in action, because the camera moves in closer to front side / traveler side from the vehicle, acquiring HH when he shuts the passenger door and gets the door to the back end seat from the car.
a few. Cinematography: Color with excessive key lighting; the depth of field extends at the rear of the actions to include cars parked at the perimeter of the parking lot; the building shot is mid-range, knees up from KH and remains the same until HH helps KH into the automobile when it reduces to a closer ranged shot. The camera angle is definitely pretty much mid-range or vision level for the entire shot; the duration of the shot can be described as long have without changing the angle of the camera for the entire shot.
4. Camera movement: The camera activity follows the action, panning from directly to left or perhaps left to right.
your five. Sound: every sound can be diegetic through this take; screeching tires of the yellow vehicle, KH sobbing, dialogue, and car door slamming.
Shot 2 .
1 . MES: Take is a continuation of shot 1, joined jointly from the previous take with a cut. Have starts with the camera angle closer and at eye level to the car windshield. We could now be aware of the sterling silver windshield wipers, black in house of the transformable and 3 parked vehicles at the back of the lot. One of many parked automobiles is brownish and is facing us and is located in the upper left spot of take, while the other two autos, one black color and one particular a light green, are facing at an angle towards the right and away from the the front of the take. HH has on a watch with brown leather-based strap and a circular gold faceplate, on his correct wrist. KH appears disheveled with her left clothes sleeve ripped down her arm, disclosing the still left shoulder of any white blouse. HH is constantly on the climb into the vehicle and over the back in the front seating and into the drivers' chair. The camera pans to...